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MY FAVORITE
PICK IN THE JAKET |
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TOP |
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NEW WORLD
というレコード会社については、長岡鉄男さんが紹介しておられたことで初めて知った。 |
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レコードカタログにはアメリカ音楽に貢献する、非営利の団体となっている。 |
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扱うジャンルは、CLASSICAL、NOSUTALGIA AND MUSICAL
THEATRE、FOLK AND ETHNIC、COUNTRY AND BLUE GRASS、AMERICANA、 |
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JAZZ・BLUES AND
OLDIESに分類されている。レコード製作は、さまざまな財団からの交付金( grant )で賄われているようである。それぞれのレコード |
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ジャケットの裏面にその財団名（複数）が記載されている。演奏者、団体はかなり豪華である。また、ジャケットデザインにも、凝ったものが多いのが特徴。 |
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今回選んだものはすべて同一人物（ボブ・デフリン）によるジャケットデザインとなったがデザイナーはほかにも数名見かけられる。 |
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デザインは何とも平凡であるが、とても気に入っている1枚である |
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フォントのバランスがすばらしい。また使われている絵も極めてオーソドックスであるが、綺麗だ。 |
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派手さのまったくない、中間色の美しいジャケットである。 |
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レコーディングデータに関しては使用マイク、レコーダー、アンプ、モニタースピーカー等までも詳しく記載されている。 |
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レコーディングエンジニアはテラークで有名なジャック・レナー。 |
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John Knowels Paine |
Symphony No.2 |
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NW 350 |
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Conductor ： Zubin Mehta |
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New York Philharmonic Orchestra |
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Cover Design ： Bob Defrin |
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Cover Art ： John Frederick Kensett "Lake George" (1869) Oil
Painting on canvas. 44 1/8
×66 3/8 inch |
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The Metroporitan Museum of Art |
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Producer ： Elizabeth
Ostrow |
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Recording Engineer ： Jack Renner |
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Technical support by Edward Abbott,
Soundmirror,inc. |
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Recorded at the Manhattan Center ,New York.
December 8,1986 |
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Recorded on Sonny PCM 1610 |
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Concole ： Studer |
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Microphones ： Sennheiser, Sanken |
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Amplifier ： Threshold |
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Monitors ： B & W |
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Digital editings ： E, Amelia Rogers, Soundmirror,inc. |
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Mastering ： Robert C, Ludwig, Masterdisk |
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This Recording was made possible with grants
from the National
Endoument for the Arts, |
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the New york State Council on tha Arts, and
Francis Goelet. |
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小澤征二、ボストン交響楽団による演奏,ジャケットデザインは上記と同一人物 |
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これもレコーディングエンジニアはジャック・レナー。 |
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フォントの扱いが面白い。 |
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Olly Wilson |
Symphonia |
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NW 331 |
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Jhon Harbison |
Symphiony No. 1 |
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Conductor ： Seiji Ozawa |
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Boston Symphony Orchestra |
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Cover Design ： Bob Defrin |
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Cover Art ： Lionel Charles Feininger(U.S. 1871-1956).
"Sunset" Oil Painting
on canvas. 19 ×30 1/2 inch |
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Charles Henry Hayden Fund. Courtesy, Museum of
Fine Arts, Boston. |
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Producer ： Elizabeth
Ostrow |
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Recording Engineer ： Jack Renner |
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Recorded at the Symphony Hall, Boston,
Massachusetts, October 1984 |
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Tape Editor ： Tom MacCluskey, RCA |
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Recorded and Edited on Soundstream digital
Recording Systems |
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Concole ： Studer 169 modified |
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Microphones ： B & K
4006s |
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Mastering ： Robert C, Ludwig, Masterdisk |
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Plating ： Europadisk, Ltd. |
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Digital editings : E, Amelia Rogers,
Soundmirror,inc. |
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This Recording was made possible with grants
from the National Endoument for the Arts |
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and Francis Goelet., and funds from the
Massachusetts Council on the Arts and Humanities |
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長岡鉄男氏が録音を絶賛した1枚。 |
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フランシス・ベーコンを想起させるイラストがいい。 |
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George Crumb |
A Haunted Landscape * |
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NW 326 |
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William Schuman |
Three Colloquies For Horn and Orxchestra |
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Conductor ： Arther Weisberg * |
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Conductor ： Zubin Mehta |
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New York Philharmonic Orchestra |
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Cover Design ： Bob Defrin |
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Cover Art ： Marshal Arisman |
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Producer ： Andrew Kazdin |
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Recording and Mixing Engineer ： Luise de la Fuente |
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Recorded in Avery Fisher hall, New York |
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レコーディングの日時に記載はないが、おそらく1984、又は1985年と思われる。 |
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Editing ： Andrew Kazdin |
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3M digital Mastering system providedby
"Digital by dickinson" |
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Microphones ： Schopes Cholette \series and Newmann KM-84 |
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Consoles ： Neve 5305, Studer 269 |
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Mastering ： Robert C, Ludwig, Masterdisk |
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Plating ： Europadisk, Ltd. |
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This Recording was made possible with grants
from the National Endoument for the Arts、 |
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Ｔｈｅ New York State
Council on the Arts, and Francis Goelet. |
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ジョージ・クラムの楽譜は、絵画的と書かれていたのか、デザインと書かれていたのかは忘れたが、とにかく絵になる楽譜らしい。 |
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これはその楽譜をモチーフにデザインされたジャケット。なかなか素敵である。 |
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George Crumb |
An Idyll for the Misbegotten |
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NW 357 |
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Vox Balance( Voice of the Whale ) |
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Zizi Mueller ： Flute |
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Madricals, Books 1-4 |
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Jan DeGaetani ： Mezzo-Soprano |
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Cover Design ： Bob Defrin |
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Producer ： Marc Aubort and Joanna Nickrenz |
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Engineering ： Elite Recordings, Inc., New york |
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Mastering ： Roberto C. Ludwig, Masterdisk |
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Ａｎ Ｉｄｙｌｌ for the Misbegotten
was recorded on April 28, 1987. |
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Vox Balance was recorded on may 22, 1985. |
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The Madricals were recorded on October 24,
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appeared on accoustic Reserch. |
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This Recording was made possible with grants
from the National Endoument for the Arts、 |
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Ｔｈｅ New York State
Council on the Arts, and Francis Goelet. |
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アメリカを代表する画家、ジャクソン・ポロックの絵が目を引く。 |
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Faye-Ellen-Silverman |
1,Restless Winds |
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NW 355 |
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2,Speaking alone |
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3,Passing Fancies |
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Ralph Shapey |
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4,Kroslish Sonate |
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5,Concertante No. 1 for Trumpet and 10 players |
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1,Restless Winds |
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4,Kroslish Sonate |
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Ann Wolley ： flute |
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Joel Krosnick ： cello |
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Randall Wolfgang ： oboe |
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Gilbert Kalish ： piano |
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Theodore Oein ： clarinet |
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Philip Gottling ： bassoon |
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5,Concertante No. 1 for Trumpet and 10 players |
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David Wakefield ： horn |
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Conductor ： Ralph Shapey |
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trumpet ： Ronald Anderson |
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2,Speaking alone |
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Contemporary Chamber Players of the University
of Chicago |
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David Shostac ： flute |
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3,Passing Fancies |
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Aspen Music Festival Contemporary Ensamble |
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Conductor ： Stephen Mosko |
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Cover Design ： Bob Defrin |
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Cover Art ： Jackson Pollock. "One" (1950)Oil and enamel paint on
canvas.(269.5×530.8cm) |
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The Museum of Modern Art, New York. |
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Producer ： Elizabeth
Ostrow, Judith sherman |
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Recording Engineer ： Dan Craik (Silverman), Timothy Martyn ( Kroslish), Larry
Rock ( Concertante) |
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Digital Editing ： E. Amelia Rogers ( Silverman) , Judish Sherman ( Shapey ) |
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Direct Metal Mastering ： Robert C, Ludwig, Masterdisk |
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This Recording was made possible with grants
from the Fromm Music Foumdation. |
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