| BACK to Producer
& Engineer |
TOP |
|
|
|
|
|
|
|
|
Arthur Lilley |
|
|
|
|
|
|
|
| RCA Victor での仕事はこちらをクリック |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| LW 5000
(10inch) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
|
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| LW5072 |
|
|
Recital of Arias |
Kathleen Ferrier (contralto) |
|
|
|
|
|
|
|
Handel |
Art Thou Troubled? - From "Rodelinda" |
Malcolm Sargent |
London Symphony Orchestra |
|
|
|
|
|
|
Gluck |
What Is Life? - From "Orfeo Ed Euridice" |
Malcolm Sargent |
London Symphony Orchestra |
|
|
|
|
|
|
Mendelssohn |
O Rest In The Lord - From "Elijah" |
Boyd Neel |
Boyd Neel String Orchestra |
Terence Gibbs |
Arthur Lilley |
2-3 September 1946 West Hampstead Studios |
|
| |
|
Handel |
Ombra Mai Fu - From "Serse" |
Malcolm Sargent / Kathleen Ferrier (contralto) |
London Symphony Orchestra |
|
|
12-14 May & 7 October 1948 Kingsway Hall |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| LXT 2500 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
|
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| LXT2990 |
|
Mozart |
Clarinet Concerto in A K622 |
Anthony Collins
/ Gervase de Peyer ( cl ) |
London Symphony Orchestra |
Peter Andry |
|
13-14 July 1954 West Hampstead Studios |
|
| |
|
|
Bassoon Concerto in B flat K191 (K186e) |
Anthony Collins
/ Henri Helaerts (bassoon) |
London Symphony Orchestra |
Victor Olof |
Arthur Lilley |
9-10 August 1954 West Hampstead Studios |
|
|
|
|
|
|
|
|
|
|
|
| LXT 5000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
SXL No |
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| LXT5340 |
|
J.S.Bach |
Sonata No.1 in G minor BWV1001 |
Ruggiero Ricci ( vn ) |
|
James Walker |
Arthur Lilley |
22-24 & 29 January 1957 West Hampstead Studio 2 |
|
|
|
|
Partita No.2 in D minor BWV1004 |
" |
|
" |
" |
" |
|
| LXT5663 |
SXL2299 |
|
The Art of Oda Slobodskaya ( 1945-61 ) |
Anatole Fistoulari |
London Symphony Orchestra |
Christopher Raeburn |
Arthur Lilley |
24-25 January & 26 February 1961 West Hampstead Studio
1 |
|
|
|
|
|
Oda Slobodskaya ( S ) / Ivor Newton ( p ) |
|
|
|
|
|
| LXT5682 |
SXL2313 |
Herold-Lanchberry: |
La Fille mal gardée : excerpts |
John Lanchbery |
Orchestra of the Royal Opera House - |
Ray Minshull |
Arthur Lilley |
27 February-2 March 1962 Kingsway Hall |
|
|
|
|
( SET 209-11 ) |
|
Covent Garden |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| DECCA SXL 2000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
LXT number |
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| SXL2241 |
LXT5596 |
Beethoven |
Piano Sonata No. 21 in C major, Op. 53 ( Waldstein ) |
Wilhelm Backhaus ( p ) |
|
James Walker |
Arthur Lilley |
September, 1958, Victoria Hall, Geneva |
|
| |
|
|
Piano Sonata No. 23 in F minor, Op. 57 ( appassionata ) |
" |
|
" |
" |
" |
|
| SXL2259 |
LXT5619 |
J.S.Bach |
Hapsichord Recital |
George Malcolm ( Harpsichord ) |
|
|
|
|
|
|
|
|
Chromatic Fantasia & Fugue In D Minor, BWV 903 |
|
|
James Walker |
Arthur Lilley |
30 January 1959 West Hampstead Studio 2 |
|
|
|
|
Italian Concerto In F Major, BWV 971
|
|
|
James Walker |
Arthur Lilley |
30 January 1959 West Hampstead Studio 2 |
|
|
|
|
Toccata In D Major, BWV 912 |
|
|
James Walker |
Alan Reeve |
24-25 Mar 1960 West Hampstead Studio 1 |
|
| |
|
|
French Suite No. 5 In G Major, BWV 816 |
|
|
James Walker |
Alan Reeve |
24-25 Mar 1960 West Hampstead Studio 1 |
|
| SXL2299 |
LXT5663 |
|
The Art of Oda Slobodskaya ( 1945-61 ) |
Anatole Fistoulari |
London Symphony Orchestra |
Christopher Raeburn |
Arthur Lilley |
|
|
|
|
|
|
Oda Slobodskaya ( S ) / Ivor Newton ( p ) |
|
|
|
|
|
| SXL2313 |
LXT5682 |
Herold-Lanchberry: |
La Fille mal gardée : excerpts |
John Lanchbery |
Orchestra of the Royal Opera House - |
Ray Minshull |
Arthur Lilley |
27 February-2 March 1962 Kingsway Hall |
|
| |
|
|
( SET 209-11 ) |
|
Covent Garden |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| DECCA SXL 6000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
|
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| SXL6035 |
|
Hindemith |
Violin Concerto |
Paul Hindemith / David Oistrakh ( vn ) |
London Symphony Orchestra |
Erik Smith |
Arthur Lilley |
13,14 September 1962 West Hampstead Studio 3 |
|
| |
|
Bruch |
Scottish Fantasia, Op. 46 |
Jascha Horenstein / David Oistrakh ( vn ) |
London Symphony Orchestra |
Erik Smith |
Alan Reeve |
24 September 1962 Walthamstow Assembly Hall |
|
| SXL6037 |
|
|
Songs By Schubert, Schumann,
Brahms And Strauss |
Hermann Prey ( Br ) / Karl Engel
( p) |
|
Andrew Raeburn |
Arthur Lilley |
24-26 October 1962 West Hampstead
Studio 3 |
|
| SXL6038 |
|
|
Bass Arias From Russian & Italian Operas |
Nicolai Ghiaurov ( Bs ) / Edward Downes |
London Symphony Orchestra |
Michael Bremner |
Arthur Lilley |
26,29,31 October & 2 November 1962 in
Kingsway Hall, London |
| SXL6044 |
|
Dvorak |
Symphony No. 8 (No. 4) In G Major |
Istvan Kertesz |
London Symphony Orchestra |
Ray Minshull |
Arthur Lilley & Michael Mailes |
22,23,25 & 26
February 1963 in Kingsway Hall, London |
|
| |
|
|
Scherzo Capriccioso Op. 66 |
" |
" |
" |
" |
" |
|
| SXL6073 |
|
|
Command Performance Volume 1 |
Richard Bonynge / Joan Sutherland ( s ) |
London Symphony Orchestra |
Michael Bremner |
Arthur Lilley, |
26 October - 3 November 1962 in Kingsway Hall, London |
|
|
|
Weber |
Ocean! Thou Mighty Monster ("Oberon") |
|
|
|
Kenneth Wilkinson & |
|
|
|
|
Massenet / Meyerbeer |
Pleurez Mes Yeux ("Le Cid") / Shadow Song
("Dinorah") |
|
|
|
Michael Mailes |
|
|
|
|
Leoncavallo |
Recit. And Ballatella ("I Pagliacci") |
|
|
|
|
|
|
|
|
John Dobson |
Recit. And Aria: Tu Del Mio Carlo ("I
Masnadieri") |
|
|
|
|
|
|
|
|
Verdi |
Aria: Tu Puniscimi O Signore ("Luisa Miller") |
|
|
|
|
|
|
|
|
Rossini |
Recit. And Aria: Vorrei Spiegarvi ("La Cambiale Di
Matrimonio") |
|
|
|
|
|
|
|
|
Bellini |
Aria: Deh! Se Un' Urna ("Beatrice Di Tenda") |
|
|
|
|
|
|
| SXL6079 |
|
Verdi |
Scenes From Falstaff |
Edward Downes |
New Symphony Orchestra of London |
Christopher Raeburn |
Arthur Lilley |
June - July 1963 in Walthamstow Assembly Hall, London |
|
| SXL6082 |
|
Beethoven |
Piano Concerto No. 2 in B-flat
major, Op. 19 |
Pierino Gamba / Julius Katchen ( p
) |
London Symphony Orchestra |
Ray Minshull |
Arthur Lilley |
17-19 June 1963 Walthamstow
Assembly Hall |
|
| |
|
|
Piano Concerto No. 4 in G major, Op. 58 |
" |
" |
" |
" |
" |
|
| SXL6107 |
|
Richard Strauss |
Lieder |
Hermann Prey ( Br ) / Gerald
Moore ( p ) |
|
Erik Smith |
Arthur Lilley |
4-7 Jun 1963 West Hampstead
Studio 3 |
|
| SXL6137 |
|
|
Pas De Deux |
Richard Bonynge |
London Symphony Orchestra |
Christopher Raeburn |
Arthur Lilley |
25,29 April & 1 May 1964
Kingsway Hall |
|
|
|
Ludwig Minkus |
Paquita - Pas De Deux |
|
|
|
|
|
|
|
|
Riccardo Drigo |
Esmeralda - Pas De Deux |
|
|
|
|
|
|
|
|
D. F. E. Auber |
Pas Classique |
|
|
|
|
|
|
|
|
Eduard Helsted |
Flower Festival At Genzano - Pas De Deux |
|
|
|
|
|
|
| |
|
Riccardo Drigo |
Le Corsaire - Pas De Deux |
|
|
|
|
|
|
| SXL6188 |
|
Adam |
Le Diable à quatre - ballet |
Richard Bonynge |
London Symphony Orchestra |
Christopher Raeburn |
Arthur Lilley |
13 - 14 April 1964 in Kingsway Hall, London |
|
| SXL6767 |
|
Prokofiev |
Piano Concerto No. 1 In D Flat Major, Op. 10 |
André Previn / Vladimir Ashkenazy ( p ) |
London Symphony Orchestra |
Ray Minshull |
Arthur Lilley, Philip Wade & |
1974 - 1975, Kingsway Hall, London |
|
| |
|
|
Piano Concerto No. 2 In G Minor, Op. 16 |
|
|
|
Kenneth Wilkinson |
|
|
| SXL6768 |
|
Prokofiev |
Piano Concerto No. 3 in C major, Op. 26 |
André Previn / Vladimir Ashkenazy ( p ) |
London Symphony Orchestra |
Ray Minshull |
Arthur Lilley, Philip Wade & |
1974 - 1975, Kingsway Hall, London |
|
|
|
|
|
|
|
|
Kenneth Wilkinson |
|
|
|
|
|
Symphony No. 1 in D major Op. 25 " Classical Symphony
" |
" |
" |
" |
" |
" |
|
|
|
|
Autumnal Op. 8 |
" |
" |
" |
" |
" |
|
| SXL6769 |
|
Prokofiev |
Piano Concerto No. 4 in B-flat major for the left hand,
Op. 53 |
André Previn / Vladimir Ashkenazy
( p ) |
London Symphony Orchestra |
Ray Minshull |
Arthur Lilley, Philip Wade & |
1974 - 1975, Kingsway Hall, London |
|
| |
|
|
Piano Concerto No. 5 in G major, Op. 55 |
" |
" |
" |
Kenneth Wilkinson |
|
|
| SXL6894 |
|
Tchaikovsky |
Symphony No. 6 in B minor, Op. 74 " Pathétique " |
Kazimierz Kord |
Royal Philharmonic Orchestra |
Andrew Cornall |
Arthur Lilley |
31 March-1 Apr 1978 Kingsway Hall |
|
| SXL6950 |
|
|
Plays Guitar showpieces |
Carlos Bonell ( g ) |
|
Andrew Cornall |
Arthur Lilley |
13-15 September 1979 & March 1980 West
Hampstead Studio 3 |
| SXL6997 |
|
Mozart |
Piano Sonata No. 13 in B-flat major, K.333 / 315c |
Andras Schiff ( p ) |
|
Michael Haas |
Arthur Lilley |
January - February, 1980, Studio No. 3 West
Hampstead, London |
|
|
|
Piano Sonata No. 16 in C major, K. 545 |
" |
|
" |
" |
|
|
|
|
|
Piano Sonata No. 14 in C minor, K. 457 |
" |
|
" |
" |
|
|
| |
|
|
Fantasy No. 4 in C minor, K. 475 |
" |
|
" |
" |
|
|
|
|
|
|
|
|
|
|
|
|
| DECCA BOX SET |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
|
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| SET201-3 |
|
Johann Strauss II |
Die Fredermaus |
Herbert von Karajan |
Vienna Philharmonic Orchestra |
John Culshaw |
James Brown |
12-20 June 1960 at Sofiensaal. l, Vienna |
|
|
|
|
|
Hilde Gueden ( s ) Rosalinde / Erika Koth ( s ) Adele |
Vienna State Opera Chorus |
Erik Smith |
|
|
|
|
|
|
|
Regina Resnik ( Ms ) Prince Orlofsky / Giuseppe
Zampieri ( T ) Alfred |
Christopher Raeburn |
|
|
|
|
|
|
|
Waldemar Kmentt ( T ) Eisenstein / Walter Berry
( Br ) Dr.Falke |
|
|
|
|
|
|
|
|
Eberhard Waechter ( Br ) Frank / Erich Kunz ( Br )
Frosch |
|
|
|
|
|
|
|
|
|
Peter Klein ( T ) Dr.Blind |
|
|
|
|
|
|
|
Franz Lehár |
Die lustige Witwe (The Merry Widow), Act II: Vilja-Lied |
Renata Tebaldi ( S ) |
Orchestral Accompaniment |
John Culshaw |
Roy Wallace |
18-19 July 1960 Santa Cecilia, Rome |
|
|
|
Louis Ferrar |
Domino |
Fernando Corena ( Bs ) |
Orchestral Accompaniment |
John Culshaw |
Roy Wallace |
18-19 July 1960 Santa Cecilia,
Rome |
|
|
|
Frederick Loewe |
My Fair Lady: I Could Have Danced
All Night |
Birgit Nilsson ( s ) |
Orchestral Accompaniment |
Culshaw & Smith, Raeburn |
James Brown |
12-20 June 1960 Sofiensaal,
Vienna |
|
|
|
Nicola Valente |
Passione |
Mario Del Monaco ( T ) |
|
John Culshaw |
Roy Wallace |
18-19 July 1960 Santa Cecilia,
Rome |
|
|
|
Anonymous |
Lullaby |
Teresa Berganza ( Ms ) / Felix
Lavilla (piano) |
|
Michael Bremner |
Cyril Windebank |
10 June 1960 Kingsway Hall |
|
|
|
Anonymous |
Il bacio |
Joan Sutherland ( s ) |
|
James Walker |
Arthur Lilley |
26 July 1960 West Hampstead
Studios |
|
|
|
Franz Lehár |
as Land des Lachelns (The Land of
Smiles), |
Jussi Björling ( T ) |
Orchestral Accompaniment |
Culshaw & Smith, Raeburn |
James Brown |
12-20 June 1960 Sofiensaal,
Vienna |
|
|
|
|
Act II: Dein ist mein ganzes Herz! |
|
|
|
|
|
|
|
|
George Gershwin |
Porgy and Bess, Act III:
Summertime |
Leontyne Price ( s ) |
Orchestral Accompaniment |
Culshaw & Smith, Raeburn |
James Brown |
12-20 June 1960 Sofiensaal,
Vienna |
|
|
|
Irving Berlin |
Annie Get your Gun: Anything You
Can Do |
Giulietta Simionato ( s ) /
Ettore Bastianini ( Bs ) |
Orchestral Accompaniment |
Culshaw & Smith, Raeburn |
James Brown |
12-20 June 1960 Sofiensaal,
Vienna |
|
| |
|
Rudolf Sieczynsk |
Wien, du Stadt meiner Traume, Op.
1 |
Ljuba Welitsch ( s ) |
Orchestral Accompaniment |
Culshaw & Smith, Raeburn |
James Brown |
12-20 June 1960 Sofiensaal,
Vienna |
|
| SET
247-8 |
|
|
Command Performance |
|
|
Michael Bremner |
Kenneth Wilkinson, |
26,27 &
29 October-3 November 1962 Kingsway Hall |
|
|
|
Bellini |
Beatrice di Tenda : Deh! Se
un’urna |
Joan Sutherland ( S ) / Richard Bonynge |
London Symphony Orchestra and Ambrosian Singers |
|
Michael Mailes & Arthur Lilley |
|
|
|
|
Leoncavallo |
Pagliacci : Qual fiamma |
" |
London Symphony Orchestra |
|
|
|
|
|
|
Massenet |
Le Cid : Pleurez, mes yeux |
" |
" |
|
|
|
|
|
|
Meyerbeer |
Dinorah : Ombre légère |
" |
" |
|
|
|
|
|
|
Rossini |
La Cambiale di Matrimonio :
Vorrei spiegarvi |
" |
" |
|
|
|
|
|
|
Verdi |
Luisa Miller : Tu puniscimi o
Signore |
" |
" |
|
|
|
|
|
|
Verdi |
I Masnadieri : O tu del mio
Carlo |
" |
" |
|
|
|
|
|
|
Weber |
Oberon J306 : Ocean! Thou mighty
monster |
" |
" |
|
|
|
|
|
|
Flotow |
Martha : The last rose of summer |
" |
" |
|
|
|
|
|
|
Ricci |
Crispino e la comare : Io non
sono |
" |
" |
|
|
|
|
|
|
Balfe |
The Bohemian Girl : I dreamt I
dwelt |
" |
" |
|
|
|
|
|
|
Benedict |
The Gipsy and the Bird |
" |
" |
|
|
|
|
|
|
Bishop |
Lo, here the gentle lark |
" |
" |
|
|
|
|
|
|
Wallace |
Maritana : Scenes that are
brightest |
" |
" |
|
|
|
|
|
|
Arditi |
Il bacio - waltz song |
" |
" |
|
|
|
|
|
|
Arditi |
Parla! |
" |
" |
|
|
|
|
|
|
Leoncavallo |
Mattinata - song |
" |
" |
|
|
|
|
|
|
Tosti |
Ideale & La Serenata |
Joan Sutherland ( S ) / Richard
Bonynge ( p ) |
|
|
|
|
|
| |
|
Bishop |
Clari : Home, sweet home |
Joan Sutherland ( S ) / Tina
Bonifacio (harp) |
|
|
|
|
|
| SET254-5 |
|
|
The Art of The Prima Ballerina |
Richard Bonynge |
London Symphony Orchestra |
Michael Bremner |
Arthur Lilley |
21,23,26,30 November & 3 December 1962 West
Hampstead Studio 3 |
|
|
Adam |
Giselle : excerpts |
|
|
|
|
|
|
|
|
Donizetti |
La Favorita : ballet music |
|
|
|
|
|
|
|
|
Drigo |
Pas de troi |
|
|
|
|
|
|
|
|
Løvenskjold |
La Sylphide : Pas de deux |
|
|
|
|
|
|
|
|
Minkus |
La Bayadère |
|
|
|
|
|
|
|
|
Minkus |
Don Quixote : Pas de deux |
|
|
|
|
|
|
|
|
Pugni |
Pas de quatre |
|
|
|
|
|
|
|
|
Rossini |
Guillaume Tell : ballet music |
|
|
|
|
|
|
|
|
Tchaikovsky |
Swan Lake Op.20 : Black Swan pas de deux |
|
|
|
|
|
|
|
|
Tchaikovsky |
The Sleeping Beauty Op.66 : Blue bird pas de deux |
|
|
|
|
|
|
|
|
Tchaikovsky |
The Nutcracker Op.71 : Act II Pas de deux |
|
|
|
|
|
|
|
|
Anon |
Bolero 1830 |
|
|
|
|
|
|
| SET268 |
|
|
The Age of Bel Canto, Volume 1 |
Richard Bonynge / Joan Sutherland ( S ) |
London Symphony Orchestra and Chorus |
Christopher Raeburn |
Arthur Lilley & |
7,11,13,16 & 20 Jun 1963 West Hampstead Studio 3 |
|
| |
|
|
|
Marilyn Horne ( Ms ) / [i-m] Richard Conrad ( T ) |
New Symphony
Orchestra of London |
|
Arthur Bannister |
|
|
| SET269 |
|
|
The Age of Bel Canto, Volume 2 |
Richard Bonynge / Joan Sutherland ( S ) |
London Symphony Orchestra |
Christopher Raeburn |
Arthur Lilley |
25-29 June 1963 Kingsway Hall |
|
| |
|
|
|
Marilyn Horne ( Ms ) / [i-m] Richard Conrad ( T ) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Lyrita SRC |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Number |
|
Composer |
Title |
Conductor/Soloist |
Orchestra |
Producer |
Recording Engineer |
Recording |
|
| SRCS 59 |
|
John Ireland |
Sextet For Clarinet, Horn And String Quartet |
Gervase de Peyer ( cl ) / Neill Sanders (horn) |
Melos Ensemble |
Richard Itter |
Arthur Lilley |
24-25 Jun 1971 West Hampstead Studio 3 |
|
|
|
" |
Sonata For Cello And Piano |
Andre Navarra ( vc ) / Eric Parkin ( p ) |
Melos Ensemble |
David Harvey |
Colin Moorfoot |
13 October 1971 West Hampstead Studio 3 |
|
| |
|
" |
Fantasy-Sonata For Clarinet And Piano |
Gervase de Peyer ( cl ) / Eric Parkin ( p ) |
Melos Ensemble |
Richard Itter |
Arthur Lilley |
24-25 Jun 1971 West Hampstead Studio 3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|